essays

essays

Claire’s practice-based, emotion-led research is concerned with place/non-place, memory, displacement and the lost. She has a deep interest in the everyday life of the other. Other foci include the exploration of transcultural parallels and differences, and her practice contemporises the traditional influences of historical textile craft to continue its legacy, particularly amongst young audiences and diasporas. Her research-responsive artworks explore texture, scale and negative space, her methods and materials are definitively informed by her concepts developing new connections between past and present.

To request to read my Academic Papers & Articles in full please contact me here and quote the essay title.

2018
Rachel Deakin Rachel Deakin

2018

An anthropological investigation of the Chornobyl Babushka - A Photographic Response

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2019
Rachel Deakin Rachel Deakin

2019

An experiential investigation into the embroidery practices of the Chornobyl Babushka

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2021
Rachel Deakin Rachel Deakin

2021

Babushka as Icon - Research through Practice and the Importance of the Sketchbook

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2023
Rachel Deakin Rachel Deakin

2023

Continuing Textile Practice with the Babushkas of Chornobyl – reflections on loss, emotional labour and working through the complexities of global catastrophes

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2025
Rachel Deakin Rachel Deakin

2025

Making relationships: the value of dialogical practice with a lost community in the Chornobyl exclusion zone

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Education

BA (1st Class Hons) Textiles & Surface Design. The Northern School of Art
[1999-2005]

MFA. Manchester Metropolitan University 
[2014-18] 


(MONOGRAPH) EMBROIDERY AS LANGUAGE. 

Ph.D. Northumbria University [2019-2024]:

MAKING RELATIONSHIPS: THE VALUE OF DIALOGICAL PRACTICE WITH A LOST COMMUNITY IN THE CHORNOBYL EXCLUSION ZONE.

Research Focus: 

Relationships [Connectedness and Communication].

Key Themes: Value. Connection. Loss. Love. Place. Home. Remembrance. Relics.

Long term goal:

Baker aims to build an archive of mid-century embroideries from the Chornobyl exclusion zone. She has been collecting and recording examples since 2015 to help save the textile legacy of those evacuated in 1986 and especially of those Babushkas who returned.

It is important to Claire to be able to engage in new research and partnerships in order to collate, catalogue, preserve and share these lost embroideries through the building and launching of an interactive design website, a living archive, freely accessible worldwide. This huge project has become even more important and is highly time critical due to Russia’s invasion of Ukraine since the beginning of 2022, since when there has been a systematic annihilation of Ukraine’s material culture.